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The Holistic World of Eyedress

office got the chance to talk with Eyedress about his process, inspirations, and what's to come in the near future. Read below for the interview.

Do you have a routine when it comes to your musical process? Are there steps that tend to come first? — production, writing, lyrics, etc.? 

 

Lately, RCA Records has had me going into the studio to make my new record. We recently rented a mansion in Malibu for two weeks, converted a room into a studio, and recorded a good chunk of my album up there. My producers Zach Fogarty and John Hill brought all their gear up there – like drums, guitars, and very expensive racks and I brought like two of my synthesizers. Every day we would wake up, order some food then start recording. Most of the time, we’d start something from scratch. I would roll up that zaza and get super baked and just start recording and trying things until something sticks. Sometimes we’ll invite other artists over. Recently we’ve recorded with Dean Blunt, Julian Cashwan Pratt of Show Me The Body, and Mac DeMarco. Usually, the steps will be recording the instrumental, then we figure out the vocals after we’ve made like a rough structure.

 

We live in a very interdisciplinary age, are there other mediums that inform your music? If so, what are these influences? 

 

I’m inspired by films from Harmony Korine, Vincent Gallo, early Spike Jonze – that kind of stuff inspired me a lot growing up. It helped me shift my perspective on everything and kept my mind open to anything and everything. Skateboarding culture has also had a huge impact on how I am and is a big influence on my music because it’s also brought so many different subcultures together, like punk and rap, and just makes everything in this world feel unified.

 

Throughout your catalogue there are plenty of other names that come up. How has collaborating with other musicians helped transform your own sound? 

 

Just keeps me on my toes and keeps me wanting to improve on my own work and where I’m at in life. It’s definitely inspiring to be able to work with people I’ve looked up to since I was young. It’s a blessing, and it’s helped transform my beliefs in what I could achieve through sound.  

 

 

You’ve said before that your music is “like a collage,” what sounds are influencing you the most right now? 

 

I’m mostly inspired by samples they use in rap songs. I’ve always been an avid follower of which direction hip hop beats were going towards. Lately, it’s been going towards a drumless era where everyone’s just cutting samples and finding loops from rare old songs and rapping over them.    

 

Your albums are like melting pots of various genres, do you ever feel the pressure to conform to one?  

 

I could conform to one, but that would just be boring and not feel like me. I’m very into being prolific and just not doing what’s expected of me.  

 

What was it like working with Eddie Huang on your new music video for Flowers and Chocolate? 

 

Eddie is my neighbor and my guy, so you know we were cracking jokes every chance we could get, but it was definitely one of the more challenging shoots I’ve ever done because I had to drive with shades on at night with flowers blocking the rearview and the right side of the car so really I could only see what was on the left side so switching lanes on Sunset Blvd during traffic at night was kinda insane, but we got it done – you know I’m a trooper.  

 

 

 

I find that your music videos are an integral part of your body of work. What role do they play in relation to the music they bring to life?  

 

Videos can be anything you want them to be. The visuals don’t necessarily have to relate to the music all the time, but most of the time I just try to make something I think looks good. From the production design to the all the outfits and little details, all that matters to me because I went to film school before I pursued music.  

 

Has your relationship with music changed since you first started? 

 

No, it’s still the same. Always finding new ways to enjoy it, and of course, I’m eating off it now, but I don’t feel so much like I have anything to prove anymore. I’m at that point in my life where I’m actually happy with how far I’ve come and am proud of all the things I’ve accomplished because it has been my lifelong dream and still is to this day. I don’t take any of it lightly, and I’m truly grateful for it all. \

 

How do you know when a song or project is finished? 

 

It’s a gut feeling, and of course, once it’s been mixed and mastered to tape haha  

 

 

 

Are there any artists in specific that you’d like to work with soon? 

 

Vincent Gallo and Kevin Shields, maybe Michel Gondry or Sofia Coppola   

 

What can we expect from your work in the near future?

 

I got an album coming out in the fall, if I get it together in time. I’ve just been working on making the best album I could possibly make for RCA now, and everything I’m trying to do for this album feels like I’m trying to build The Avengers in how I’m getting different artists to collaborate with each other I just love curating things you would never expect.

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