Human Nature Worldwide: Earth Angels

December 23, 2021

Brooklyn-based designer Malachai Spivey is one to watch. The Brooklyn native began his up-and-coming brand Human Nature Worldwide with himself in mind. His imaginative and off-the-cuff approach to his craft is admirable as he didn’t attend school for design and had little to no mentorship when he began his journey. His brand has been seen on the illustrious Lil Nas X, streetwear it-girl Aleali May, and rapper Coi Leray and many more.

One thing about Malachai’s ethos is that relationships are always at the forefront and status doesn’t define success. The story he wants to tell is one that can only be told by him, so although copies may come, the authenticity will always be lacking. Human Nature Worldwide is the personification of the life of the Flatbush designer and it’s safe to say that we should all be excited to continue watching for what’s next. His most recent brain baby “Earth Angels” was released with a thoughtfulness that shows the designer’s ethos even further.

Text by Kerane Marcellus
Photos by Ryann Ussery

The nostalgia of his pieces, his new collection “Earth Angels”, and the designer's brainwaves are all discussed in an exclusive interview with office.

Check it out below!

How are you? What've you been up to today?

I’m good! I've been working on some new samples I'm doing for the winter. I got some crochet stuff I'm doing. Just some really unique hats and ski masks, sweaters. I'm trying to mix and just make a new style, but I don't want to say because it's kind of a surprise. But I'm probably within the next week or two because I want to start at least dropping the samples that I've been working on. But I feel I'm trying to just go a different way, this the always the lane that I wanted to do is just, I was testing designs this year. And I feel a lot of the designs that I've been holding back on are more of the things that I really want to do. But at the same time, I realized that I had to get people familiar with the brand.

Before I just started overloading with the type of crazy stuff that's in my head so, this year was a lot more simple. I mean, there were still great, great things I'm proud of the work I did this year but, I know that I have a lot more eccentric type things that I want to do. I just wanted people to get an idea of where I'm going with things first before I just put that out there. Like a music artist before they want to drop the album, they have to put the singles out, you know, let you guys feel where I'm going with it.

Have you always been into designing? When did you start?

So, I actually have never gone to school for design or art or any of that, really. I would say since junior high around, 12-13. I mean, I still was very unsure of anything, but especially during that time, that was over 10 years ago. So, a lot of the stuff that's going on now was not even a thought, at that time, so I didn't really know what I was doing. But I've always just seen myself in a different lane and then people I was around and not in an egotistical way of like I feel I'm above you guys. I just feel I was interested in things that were different than what everybody else was into at that time. That's when I kind of just started playing around with my style and just self expression in different ways, painting my nails or dyeing my hair or whatever it was, just doing different things that I felt was pushing the boundary and as I got older and got more confident in myself, I would push them because, things I wanted to do, years ago, but I was afraid to do it because it wasn't as accepted. Even still some of the things I do are not as accepted. I just got more confident in myself. Just with my interests in art and fashion and everything, I didn't know what I wanted to do, but I just knew I needed to be around it. That's when I started going and hanging out in Soho every day, during high school and from there, that's where I got into modeling. And for modeling I did a little bit of styling and styling assisting. So I just always kept myself around, I'm saying around that world, just so I could just soak in that knowledge, because even when I knew that I wanted to start making things, I wanted to be very knowledgeable about everything that I’m doing because, I saw so many people just hop on it just because they can, people say, “Well, you have a platform, just put something out, you can make money,” but my idea of it is not to make money.

I want to make something that can be referenced back to years and years, as we go on. Especially since I don't have any schooling, I didn't have any mentors, besides, a couple people that I was around, but at the same time, and we were all figuring it all out so it's not anybody could really give me the answers on what to do. So, I knew that I had to take my time and just learn everything that I possibly could. You still gotta learn, and you're gonna mess up while you’re still doing it, but I wanted to gain as much knowledge as I can to feel comfortable before I put something out. And then about four years ago I put out my first design. I didn't start the brand yet, but I just wanted to show it. I felt I was finally ready because I had worked on designs years before. I've been working on designs since 2015 but I didn't feel confident in them, and finally, when I made the stacked pants design, that was when I felt confident because this is something original. This is a staple piece and it came directly from my mind. I remember the entire process while I was making it from scratch, even just a fabric size source at that time. I feel I was just taking my time and just trying to hone in on my skills and the knowledge I could and now I've just been going full fledged with it.

When and how did you conceive the idea for Human Nature Worldwide?

So, 2018 is when I started the brand. And I honestly too, that's where, as I was saying, I was finding myself even now I feel finally 2021 I feel I found my niche, style wise, design wise. I found where I feel very comfortable, I found the things that I like. So in 2018, that's around the time, when I started to feel like I wanted to look a certain way but I didn't feel I could find the things to look that way. I want to dress a certain way, I want to have a certain type of aesthetic, but I couldn't find the pieces to fit that especially with the idea or design, I feel like it starts with self.

You're going to create based off of your world. My body type, I'm a very skinny person, but I'm also tall. So, even just as I was a kid, when I wanted to start dressing, I could never really find a great pair of pants that was like the perfect pair of pants to where it can fit my skinny body, but the silhouette of it can fit well also because when a skinny person wears very skinny jeans, it just looks weird like twig legs, I didn't want to have that look. I wanted to have something that could be form fitting, but also, I'm saying just have a silhouette that was a little bit wider so that it could just look better and just, be more of a statement. So that was the idea I was building around when I was designing those pants. I felt like I needed to make everyday pants for myself. So, I just started off sketching and just then I went to the fabric store, I sourced everything. When I came up with that design, and I remember finishing it, I was very confident I felt like I've set the precedent for where I'm trying to go with this. This is a pant that's simple, but it's a statement at the same time and I feel that's a perfect description of just myself. It's everything, whether it's my style, or just even my personality, it's like at first glance, it's basically how you take it, you got to look deeper, just like the same way how people have to get to know me, they may see something on the outside, and then they start to get to know me and start to break down the layers and really look. So, I try to make that same idea with the designs I make.

What’s the ethos of Human Nature Worldwide?

I've only been selling for a little bit over a year now and I remember just thinking about that very hard, because I felt like anytime you hear a brand story it's something super compelling in a way that's like maybe someone died, and this is a representation for them, or somebody experienced something, and this is there inspiration. I caught myself a few times trying to create a story. And I was like, that's not me, because that's not authentic, I don't want to just create something that sounds good just because it sounds good. It has to make sense, especially when I'm explaining it so then I started to really think and that's when going back to what I just said earlier I feel design starts with self. So, I began to realize the story I'm telling through the brand is the story of me. I'm trying to show myself and explain myself, and that's my childhood, my current life, and where I see my life going in the future through my designs. Like the idea of the pants, it brings me back to junior high school when everybody was wearing baggy jeans, the True Religions and it had that stack to it, when you wear the Ugg boots or your Timberlands or whatever, it had that nice stack to it. But being that I was so skinny, it didn't fit me like that. So that’s me referencing back to those days where I loved how those pants fit those guys so now I'm making pants for myself to fit like that or making a leather jacket to, I feel that's the older version of myself, this is how I want to dress when I'm a dad and stuff like that, but still stylish. Even the way I do my photo shoots, a lot of that has to do with my cultural background as well, I'm Trinidadian-American.

Are you first generation?

Second. My mom's mom, they moved, right before my mom was born, so she was born here. All my aunts, uncles, cousins, everybody was born there. And I still have a lot of family there as well. I grew up in that tradition and just the carnival parades, everything, like the costumes, everything, I try to implement that into my designs, my photo shoots, the creative direction I do because, that's a big part of me and what I saw growing up, and I didn't even realize that was a style inspiration for me until I started to really analyze it. But I'm just telling my story. Honestly, I realized that it's hard for that to be kind of understood until you say it because I'm just showing the clothes but then when I explain the details of why I made this piece and why this piece may have this color on it. Each piece has a story to tell and a lot of it is just a story of my life, things that have happened, things I've wanted, things I've envisioned, and it's just all just me telling in that way.

Your designs are pretty otherworldly, especially the Leather Ruched Bondage Pants. What are some inspirations whether music, fashion, or art that have influenced your work?

So, when I’m thinkin of a design, that's one thing I always say is, I try to make my mood boards have no clothing involved because I don't want to reference anyone else's work. I like to reference things where it’s like when you see the reference, now you get it, but it had nothing to do with this. So, I may design a jacket based on a car I saw. I like to reference off of life, and just the things I experience on a daily basis. I'll take a picture of a flower or something and I can use the way that the pink bleeds into the orange on this flower. I do reference style icons like Busta Rhymes, Michael Jackson, those are some of my biggest inspirations but when I look back at them, those are people that can never really be duplicated, because they just kept it so authentic. I try to keep that same idea with how I'm thinking about design. Anytime I think of something, I try to think of it in the most far off way because if this is going to be duplicated, it will be known that it's a duplicate. This is an original thought, so no one can copy it and being copied isn’t my biggest concern at all, I feel like art will always be copied no matter what. That's just inevitable. But I just want to make things that can inspire others.

I love the juxtaposition of the lace and the more streetwear silhouette of your “Earth Angels” project. Tell me more about that process.

Thank you. I love that you pointed that out and picked up on that, because that's the exact idea I'm trying to portray. I feel that's another version of a story of myself, where I grew up. I grew up in Brooklyn, New York, Flatbush specifically, one of the main neighborhoods out here and that streetwear aesthetic is just what I grew up on. Even before younger streetwear brands, like Supreme and stuff that was into tha, I was into stuff like what my pops was putting me onto, like Polo and stuff like that. It's always just had that aesthetic. As I got older, I started to want to push more boundaries, I started to tap into more feminine looks. And I realized that's more of my style. So I wanted to find a healthy balance to where I can mix in that streetwear style that I grew up on, but the feminine style that made me, me. So it's a mix of both of that. I wanted to have pants that could sit like some old True Religions but it's a lace design. When you think of lace, you think of gowns and things like that, so it plays on both sides very, very loudly because that silhouette is very loud on the streetwear side, but that fabric is also very loud on the feminine side. So, I just having the duality of that and I try to mix that in with a lot of my designs and that's why I make the brand unisex because I can wear this but also a girl can wear this and I might even wear that to a wedding just because you can or you can wear it to a party. So, I liked having that duality in the designs.

Who was the celebrity that you’ve seen your designs in that really meant a lot to you?

I would say to this day still, Aleali May is the number one, for multiple reasons. It's crazy how I feel like things come full circle, but I feel like a lot of things are meant to be.I still keep all of my photos up on Instagram, because I like people to see my growth and my story. I have all my photos from high school still up like when Instagram first started, and my first ever photo is still up on my page. The first photo I have is a photo of Aleali, just on some I admire you. She was one of the first stylish girls I knew that was in the culture and just pushing the culture forward. I've just always just been a fan of the things she's done, and just the marks that she's made in the culture. When I first made my designs, the first person I thought of was her. So, I reached out to her. I've never spoken to her, never met her ever but, I just tried to shoot my shot and I just sent her the design. I was like, “Hey, I'm a very big fan of your style and the work you've done and here’s something I just designed. Would you be interested in having it,” and she was like 100% and that was a big confidence boost at that time, because that was the first person I reached out to, the first design I put out, and the reaction that she gave me back was, “Oh my gosh, this is beautiful. I love this.” I think it was a week or two before fashion week when I had messaged her and she was “Yeah, definitely, I'll wear this, during fashion week to a show.”

I was just wowed that this is my first opportunity. She's just very humble, just very authentic. And I feel that's the type of people that when I send out my designs to people and I could have had many more placements with my clothes, but I just prefer personal relationships that's the point of the brand. If I'm telling my story, it can't be told in the wrong light, it has to be told in the right way. It has to be told to people who also share that same mind set and she's always, since day one, been just very authentic, very down to earth. I love that because, she doesn't have to, people would love to send her designs and I'm sure she's getting those messages 100 times a day but the fact that she was so open to doing that, I was like okay, not only one is that great, I appreciate her as a person, but it also gave me confidence that I'm taking the right steps if someone of her stature would want to wear it during fashion week when she's going to be front row at the shows. So, that was just a cool opportunity for me. And since that day, we've just been connected as friends ever since then. And also too, as much stuff I give her, she buys my stuff still and not just texts me to get something. I’ll drop something and I'll see her name is in the orders and didn't even message me about it. She just really supports the brand and these are even things that I'll offer to her. She'll still just go out and purchase it and just like that's real support right there.It's coming from a person who doesn't have to do that, you know? And then she wore it on the show The Hype that we just premiered on HBO. She’s my favorite that I’ve worked with.

Lil Nas X, of course that was one of the biggest.I still have yet to connect with him personally. I want to definitely connect to him personally because I've seen that he clearly is a fan of the brand. That especially makes me feel good when celebrities that I know are seeing multiple looks just even in one day, they can see many looks, and you're repeating looks that I made, that's a confidence boost because clearly you like it. I've seen him in the leather pants many times just on his off days, you know going doing something and I've done customs for him. I feel he's a great person to be my muse with this because it's that same idea of a man that is portrayed as masculine, but also loves to tap into that feminine side.

Who else would you like to see in your designs?

I'm not too big on just big names. It has to be some people I relate to. I can think of three off the top of my head right now. Young Thug, I actually did meet him once, he came to a group pop-up with a couple other brands and he came. I gifted him some of the clothes but it was such a fast exchange, I didn't get to ask him his size and I gave him a size that was a little bit too big for him just assuming because he was tall that I had to give him a large but I forgot that he likes this stuff tight. So I should’ve given him a size small, like what I wear. But he loved it. He was like, “Yo, this stuff is hard, bro.” So, I felt good about it, at least he liked it. At least he didn't waste it because he gave it to this other artist, Yak Gotti. The others, Teezo Touchdown, he's an artist. He does the nails in his hair. I remember I reached out to him even before he blew up. He probably had less than 10,000 followers at the time but I knew he was gonna blow up. I feel like I'll run into him eventually, in real life.

Sahbabii, that's my third. This is just people that I just respect as artists, people that are authentically themselves 100% unapologetically. I'm doing what I want to do. It reminds me of myself in ways that they just kept doing what they wanted to do until people just finally accepted it. A lot of people aren't able to do that, because that takes a lot especially around your peers. The people that you see everyday and hang out with are making fun of you, it doesn't really feel good but eventually once you push through, it ends up paying off. So I just respect those types of people that just are unapologetically themselves, and just show it, regardless of what the outcome may be.

What’s next for Human Nature Worldwide? Would you ever do any fashion shows?

Absolutely, I've been planning by summertime to do my first show. I will say this past year, I took a lot of time, just working on a lot of designs that I knew I wasn't going to release but this is the type of style I want to do for a show. As I was designing this year, I started to learn my market, I started to understand that there's things that I can sell, and then there's runway and I love to design with no boundaries, not in a box. I feel that the runway is the perfect place for that. You have this piece that may not sell because this is not for everyone but this is where you can truly show your mind as an artist and really bring people into your world. Even the music that you're using, the space that you build, I'm bringing you into my mind. I've been working on that this year, I've been designing a lot of pieces. I probably have maybe 30 pieces so far that I have just in samples. Even half of those are probably not even going to use but, it's just getting me in that mindset of more avant garde pieces that I'm not probably not going to sell this, maybe I will but not now, not for the market that I have right now. But this is definitely something I need to show, and that's why even with the “Earth Angels'' collection, that was kind of a taste into where I'm trying to show people where I'm going with it. That's why I made such a small capsule, I made only a few sizes of each, because I knew that that wasn't going to be a heavy seller, but it was great.

People appreciated the artistry of it but it wasn't something that everyone is gonna buy, because everybody doesn't want to look like this but people can appreciate it. It's like a painting, that's why I wanted to create it, this art. I'm not really trying to sell you guys the clothes to show you guys the art. That's why I wanted it to look like old paintings and that whole aesthetic. This year is going to be a lot more lifestyle aspect to the brand in terms of home goods. I basically want to make everything, I want to make furniture, I want to make all of these types of things, and so many of these things I've already been working on, but I want to create my own world through the brand. Like how Nigo did with Bape to where you go to his home is him. Every piece in his home is him, the toys, you can use a toothbrush and it’ll be his design. I want to create everything in that way. And also Virgil was doing that same thing to where even a lot of things I've been seeing his peers share that he never put out but he just was doing it just for the people around him. He was creating his own world and just living in everything that he did. I feel like that's just the total goal of design is to get to that point where you're creating just your own world and everything around it and everything in it. And then you just bring people in. These are all the things that I like but I appreciate that you can like it too. So that's why I want to just bring that light to the brain this year. Just touching every base and leaving no stone unturned.

Fashion

From Prince Street to East 4th, a Ride With Rapha

April 29, 2024

To celebrate the coolest (and finest) cycle-centric brand Rapha's latest drop, we kept the party going after its New York Clubhouse launch with dinner and drinks at Ella Funt.

With a first campaign shot in New York, capturing riders through the lens of street photographers Sarah van Rij and David van der Leeuw, Rapha Performance Sportswear strikes the perfect balance between style and functionality, tailored for life in motion. Just in time for prime sunny weather here in New York, the collection is a perfect choice, both on and off the bike. "For someone like myself who lives in Amsterdam and commutes by bike daily," says Fayrouz Salem, Rapha Head of Lifestyle, "this is a dream come true. We've created pieces that work on the bike without having to compromise on style."

Shop the collection at rapha.cc and in select Clubhouses.

Photography by Anderson Martinez

Fashion

Happy 424 Day

Simon Rasmussen — What's going on?

Guillermo Andrade — Right now we're just setting everything up.

So, what are you doing, is it a party?

Well, I kind of felt universally forced, right? Because 4/24/24, I was just like, I don’t really have a choice here. The stars also just kind of aligned, so to be honest, I got this settlement that came with a bunch of clothes so I had this idea to give back to the kids who fuck with us by allowing them to buy our shit first. Not handing stuff out for free, but to do it in a way where we could skip the middleman of the industry, so to speak, and not allow clothes to disappear into the abyss of Farfetch or whatever else. So what we’re going to do is a sort of warehouse sale, which we’ve never done before so that was really exciting for me. I didn’t want to do just another warehouse sale, so it’s like a sample sale turns rager. We teamed up with Adidas and a couple of other sponsors, then drinks, DJs, and a performance.

Sick, I love it.

Yeah. My dream sample sale. Also, it’s not just hoodies and t-shirts here in there, it’s proper collections from the past three seasons. I’m also not picking and choosing, trying to make it accessible, like this was the only way I could afford to buy shit when I was a kid, bro. Sample sales were the thing I looked forward to the most.

I feel you. In New York, there's the annual CDG sale, which is when I used to cop all my CDG.

The only time I could afford Rick. I flew to New York once for a Rick sample sale and I was like, Wow, I can't believe I got invited. And it was mental. I still have those pieces. I will never sell them. Not even because I got 'em cheap. It was also just really fun. Even on the flight to New York, I was like, I can't believe I'm going to New York for a sample sale, what a fucking loser I am. But it was like the adult version of when I was a kid and I was like, Wow, I can't believe I'm 20-something and I'm still doing the thing I was doing in high school. So I hope we can create moments like that for kids here in LA.

Yeah. I love that. It’s important to connect with them; they’re essentially creating the brand. If you don't have them, good luck.

I mean, yeah. Fuck, bro. It's cool that we've been around for this long. I mean, it got a little rocky there for a second I think, for all of us. So coming out of it, tomorrow is a celebration. And it’s like an odd day of the week. It's a Wednesday, super random. And now that we've set it up, the homies are all like, Yo, I'm coming. I'm coming. Let me jump on stage, let me do this, and that's really what it's always been about. It's not some other strategy to get likes on the internet.

That’s how the best things happen, you just couldn’t help yourself. It was intuitive.

Yeah, it all came together in a really nice way.

Would you say that’s how 424 started as well? I remember we met in like 2010 on Fairfax and I was visiting with Rasmus…

Oh bro, it’s probably the time when I started the branch… do you remember Cecilia from Black Dakini? She’s the one that introduced me to CIFF and honestly, I didn’t even care what she was doing, I was just like, I’m coming, I’ll go with you. She said she’d give me half of her booth and I said, Awesome count me in. At the time, I had just gotten my green card and I wasn't allowed to ever leave America, so Copenhagen was one of the first cities I went to when I could finally travel. I mean, you see what we did at CIFF bro? It became our fucking hub for half a decade.

That was a moment for sure.

I remember the first account I got was Antonioli, and he came super gangster, being like, You're going to sell me these clothes. And I was like, bro, I didn't come to sell clothes. I'm just kind of catching a vibe with my homie and I made these things. And he's like, No, you're going to sell it to me. And then I was like, Oh my god that’s Claudio Antonioli. So then I went home, I googled wholesale, and figured that shit out. [laughs]

[Laughs]

Like you said, I couldn't help myself, but I didn't just make t-shirts and hoodies either. I was really on my Rick wave, so I made my version of the Rick things. It was that meets like The Boondock Saints, because I'm still a little bit of a Cali bro, sort of rock kid, but not really. I like hip-hop, but I like the way the rock stars look. I like the contrast. I thought it was cool. After that, I just never stopped.

It was clear to me when I first met you that you were onto your own thing in LA. It made a lot of sense, and it was so cool. It was before 424 was its own brand; you just had the store and this really cool curation.

It was all my shit, bro. I was very, very invested in sharing all of these things that I was finding from all over the world, like Astrid Anderson. She was one of those designers at the time, so important to 424. The connection to Copenhagen specifically for me was huge. I had a big fan base there. It was incredible. And then here in LA, we were sharing the things that we were a part of and finding; it was still the early days of Fear of God, Rhude, Martine Rose. A lot of these brands, we were the first store to ever sell it — we were selling Hood By Air on the West Coast.

You had Rick as well, I remember.

Oh yeah. It took me a long time. But I got Rick, bro. By the time I had to close the store on Fairfax, I already had a Raf Simons account. I had reached my ultimate dream. It was really all the stuff I wanted to wear at the time. It was dope. The best of the best.

We had an office magazine newsstand in there as well.

Oh yeah, we did! I came to visit the one you had, and I was like, Yo, I got to bring this whole fucking thing over here. But yeah, in LA, after two days people forget you exist, but everyone’s been super supportive. We’re all 10 years older now. We've been around forever at this point.

It can be dangerous to take those breaks when you’re figuring shit out, but there’s something very genuine to this comeback you’re having.

Thank you, thank you. We’ve been in and out of those fucking showrooms in Paris for long enough. I've been in and out of these factories for the past 10 years of my life. We had to figure something out. And I think now really diving in, being in Italy full time and being there to develop these products over time, I think that the whole thing just really shows the suppliers respect you more. The people who are making your goods understand why you're making them. And I think now I finally got to the place where I'm not making Italian things, I’m making my clothes, I'm making Cali-centric shit, but with that European technicality and execution. With this Fall / Winter collection, it clicked.

So what’s the vision for the next year? What are you manifesting?

I'm just fucking relentless, bro. This is the way I want to live my life. Now that we are more aligned, more prepared, and have more experience, moving forward it is just more of becoming a fully functioning company that can provide and create opportunities for all of the people around me. We’ve been operating just on instinct for a long time.

Sustaining a business is scary, trust me I know.

Scary as fuck, dog. I just opened a store next to Bottega, bro, and it’s like what am I even doing? You have to just believe in the thing you're doing more than anybody else.

100%, and it seems like that’s what you’re doing.

And fashion’s kind of a competitive sport, as much as people don’t think it is. We can reach a certain level without losing ourselves. My biggest ambition at the moment is to create something that, when you leave one of our neighbors you come into our place you don’t feel that the level has been sacrificed at all. And it’s not easy.

Definitely. I wish I could be there tomorrow.

Thank you, bro. 10 years now. You’ve always shown me so much love. We have to do a booth or have the office part of the next 424 day. Shit let’s do a 424 day in New York.

That would be sick. Let's do it. I'm here. Let’s catch up soon.

Next season’s right around the corner so I’ll see you in Paris.

Yes, see you in Paris and Happy 424 day!

Fashion

Luis De Javier's PUTA Takeover

April 25, 2024

Last night with Luis De Javier, guests were overheard confirming this generation's most vital conundrum: “If I’m cunt, I can still be pussy.” “And if you’re pussy, you can still be cunt.” This sentiment echoed throughout the night as we celebrated De Javier’s first-ever streetwear collection, "PUTA". We spent seven hours at Ella Funt at a dinner turned party that only he could’ve thrown (co-hosted by emcee). It was too dark for even the most aspiring-to-look-mysterious of us to wear sunglasses inside. Under the semi-oppressive flash of party photographers, we danced as much as the space would allow, drank tequila out of teacups and kissed each other on the cheeks with a vaguely European intimacy. “I’m doing streetwear!” De Javier could be heard exclaiming — whether it be in disbelief or excitement, we couldn’t tell you.

Words and photos by Izzy Capulong

The Spanish-born London-based designer has been well-loved for his genderless tailoring, latex mastery, and overall message of empowerment. Dressing everyone from ravers to A-listers, De Javier’s latest drop pushes his design repertoire to a new level. “While designing for my celebrity clientele and showcasing my creations on the runway has always been my dream,” he notes, “It’s equally important to me that my brand resonates with a wider, more diverse audience.” While this collection’s medium has shifted from corsets to sweatshirts, the classic LDJ avant-garde sensibilities remain. Bikinis and booty shorts are shamelessly emblazoned with “PUTA,” blazers are constructed with ample shoulder padding, and I had my eye on the cheekily-named “Faguette Bag.”