Letters From the Hole

January 26, 2024

When we imagine Sisyphus excited to get his workout in, Plato’s cave is alive and well. There’s no shortage of culturally relevant allegories that speak to a) the futility of progress, b) humanity’s willful ignorance, and c) the fact that both of those concepts are central to modern-day American capitalism. We forget about the oppressive nature of wage labor when we think, If I work for 2 hours, I can afford to get myself a little treat. And after I get that little treat, then I’ll be more excited to have to work to stay alive. If we live in a world where life is not guaranteed without needing to work for it, then maybe we don’t live in a world that cares if we live.

Mountainhead, Everything Everything’s upcoming album, gives us a new, eccentric, and equally bleak allegory for unchecked capitalism and its meaningless growth. Set to release March 1st, the UK group tells the story of a world not built from the ground up, but dug from the top down. Mountainhead takes place in a society whose existence is dedicated to endlessly growing a mountain by digging deeper at its foot. As a teaser to the album, Everything Everything frontman Jonathan Higgs writes a letter as one of the lower-level members of mountain society. Those at the bottom work tirelessly to keep the elite elevated at the mountain’s top. It’s something we know a bit too well. As one must imagine Sisyphus happy, one must imagine the mountainheads watching Disney+.

Introduction Izzy Capulong
Letter Jonathan Higgs
Photos by Steven Gullick and Everything Everything

Dear Raymond

Greetings from the hole!

How are you doing? I don't know if your last few letters got lost on the way down or what but it would be great to hear from you. How is life on the slope? Things are very much the same here, every day we build the mountain and every day we dig a little deeper into the earth. There is a load of new stuff being installed in the pit at the moment, we have a simulated daylight bulb in the centre of our cavern, full spectrum, and it's on at least 5 hours a day. A new set of bird song recordings are being trialled and there is a renewed sense of urgency and hope down here. Yeah it's dark, a lot of the time, very very dark. But we're getting Disney+ soon apparently.

We're yet to hear anything but I guess you must have been ordained by now. So what is the daily life of a “Hellkite”? It must be so bright and the air must be so clean on the mountain. Real trees and real fur and breath and feathers and all the animal things around you. We have our own priests down here of course, and they do their best not to tire of us. They're so kind to give us their time and to warn us about drifting off into the dark. David says they are manipulative but I think they're doing us all a favour. One day we can all be like them, we can all get up the mountain, we just have to follow the rules and keep building. David calls it a pyramid scheme, I said “it's not a pyramid lol it's much, much, much bigger than that”. Is it true the mountain reaches the moon now?

There are rumours about what's at the top. Have you ever heard this? Some say it's a big mirror, 1000 miles wide. Some say it's a video screen and all that's on it is an infinitely reoccurring picture of whoever is looking at it. Is that really true? Why would you want to see yourself a million times over stretching into forever? Sounds mental. I heard some people say it's really a statue up there but the face changes into the highest person on the mountain. This all sounds magical and lovely but I think it's going over my head. Have you seen it? Do they tell you what's at the top?

At the deepest, darkest part of the cave they say there is a snake, an immense golden snake that will eat anyone that comes near. I don't know if it's bollocks or what. The priests are very adamant about it and prevent anyone from talking about it. I think it sounds quite cool. Have you ever heard about this snake? I used to be afraid of it but now I think it's the priests that are afraid of it. On some 'nights' we do hear a rumbling that is quite different to the machinery.

David has got a terrible cough, he says it's from the thick black smoke down here but I don't think the fumes are anywhere near as bad as they used to be. Yes we do still have deaths, quite a lot to be honest. Electricity has become quite expensive so we're using fire a lot of the time for heat. Grandmas are a thing of the past. The mining isn't ideal for my back but that's age for ya. My eyes are also getting worse, some of the pigment has gone from them and it's a bit of a strain to see through the smoke especially in the dark. Who needs eyes though really, I can dig and I can carry and I'm going to do my bit to make the mountain bigger. Kevin's head has flattened right out, it's like a slab of cheese, whatever that is. Also, our skin is translucent, more like a jelly or a tadpole. Again, no idea what a tadpole is. Or a jelly actually. Hair is white but that's normal. We get all the vitamin D we need from food it's not like we need sun, plus we'd actually get burnt to a crisp if we ever went outside.

Handsome William is now one of the many shapes of black and grey that slope through our tunnels. I lent him 101 Dalmatians on CD-ROM but his brain started coming out of his nose. David has started to wear the sign of the snake on his face, he says it's the only way to get what we want.

Teeth. Teeth teeth teeth. They've all gone. Kevin has one or two left but mine are all gone. Can teeth fall out of a brain? That's what I feel like, toothless all over, especially in my noggin. I know we don't technically need them anymore and we do have a lot of flavours now. We've got edible brown, ordinary grey, partially submerged grey, extremely colourful brown — we've got flavours coming out of our ears. That reminds me, I'm mostly deaf now but whatever, there's been an incessant hum for most of my life but it's slowly being replaced by a kind of hissing. Neither of which I'm that bothered about. We've got channels too, hundreds of them. Lots of choice. I watched a true crime series about all these crimes and it was entirely true. Well, I say “watched” but I can't see or hear and we don't have a TV.

I don't know if I've been going mad or what but I just feel like maybe I'm starting to maybe possibly have some doubts about this whole mountain thing. It's just, we never get told when things are going to change. I know the mantra is to keep making it bigger, but when is big enough? It's been growing all my life and my parents' life and their parents' life. It's fucking massive. There are millions of us down here just swimming back and forth in the dark and we're dying without ever seeing a crack of light. It's shit in the pit. Please get back to us, we can't keep waiting we need to know when it's our turn to go up.

We have to know why we're building it, we have to know what's at the top. The mountain is in the exosphere and I'm in a disposable nappy. Toothless in the blackness beating my head against the walls of the cave.

But I'll stick with it, I know I will, it's just around the corner. We'll grow it and we'll win it and we'll expand it and we'll do all the things they want. I just miss you and I want to see the sun one day.

I'm 45% microplastics and 55% mountainhead, what a time to be barely alive.

Music

Jesse Jo Stark Is in a Genre of Her Own

April 19, 2024

In the midst of a total solar eclipse, I got the chance to talk about music and style with Jesse Jo Stark.

As I’m on the phone with her from New York, Stark is on a tour bus with The Veronicas, driving through the Colorado mountains to enjoy some time off in between shows. The Veronicas have just started their Gothic Summer North American Tour, and Stark is opening the show. What’s special about this tour for the lifelong music obsessive is the sense of powerful feminine energy encapsulating the tour. “We just started [tour], but it’s been really lovely. I’m obsessed with the fact that we’re all women — it feels like a very powerful crew. The Veronicas are lovely, the crowds have been so fun, and the venues are beautiful. It’s gonna be a good month.”

Photography Sophia-Liv Maguire
Styling Marc Eram
Interview Angelina Hazzouri
Talent Jesse Jo Stark
Hair Antoine Martinez with PARADIS using Roz Hair
Makeup Sydney Szramowski
Photo Assistants Mia O’Neal, Rashaun Richardson
BTS Ms Josephine
Creative Producer Olivia Roper-Caldbeck

This is Stark’s second time touring since the release of her full-length debut album DOOMED in late 2022, which was very well received and led to Stark’s first sold-out international headlining tour on behalf of the album. Previous to her solo tour, she’s opened for various notable acts, such as Guns N’ Roses and Jane’s Addiction. I asked Stark, who’s been writing and playing music since age 11, what it was like to prepare for her first sold-out headlining tour. Unsurprisingly, before any tour, Stark goes into what she describes as “bootcamp mode” — dancing every day, vocal training, rehearsing with her band, and of course, working on her outfits. “That’s the sort of homework I love,” she says, smiling. (Even though we’re on the phone, I can tell she’s smiling when she talks about the outfit part. I’d smile too if I had her tour closet.)

What’s unique about Stark as a musician is that she has ultimately created her own universe by embracing every aspect of her creative upbringing, her raw talent, her fascinating influences, and her unwavering beliefs in not needing to fit into a certain box when it comes to her art. She creative-directs and styles all her own looks, referencing an ever-evolving list of influences that range from Vegas showgirls to Halloween to old films to her parents in the 90s. “I think when I was younger, I had this rebellion against what I was made from,” she tells me, “but now it’s just my blood. I constantly reflect on my childhood and everything I was taught and everything I saw. My brother and sister and I are constantly pulling influences from our parents from the past. I think, more than ever, I’m heavily influenced by them.”

Stark, the daughter of founders and owners of the self-made American fashion brand Chrome Hearts, and now its creative director and designer, is someone who always knew what she liked, but as she describes it, had to ‘go through the motions’ that come with growing up and knowing one’s identity. Today, her self-efficacy is palpable — and it’s inspiring.

...when I was younger, I had this rebellion against what I was made from, but now it’s just my blood.

When she’s on tour, Stark is growing with herself and with her art — she’s not afraid to take life as it comes and learn through the process. With every show, regardless of whether it was on her DOOMED tour or this tour with The Veronicas, Stark understands the importance of human connection through music. Seeing faces of music lovers like herself, meeting those who have traveled to see her, and visiting familiar and unfamiliar cities has reminded her that she loves being on the road. “The growth that happens on tour is so important to me as an artist.” Sometimes we have to leave behind what’s familiar in order to rediscover what’s important, and Stark is a proponent of this growth mindset.

Growth doesn’t just happen on tour with Stark — this evolution of herself happens within genre as well, and for Stark there’s no such thing. Since her first release Driftwood in 2017, the artist’s sound has shifted year after year, but in a harmonious way that still feels central to her gothic Americana roots. When asked if she’ll experiment with genre in the future, Stark confidently answers, “I think I’ve only experimented with genre. I don’t think anyone knows what genre I am.” (She calls herself a “horrific hillbilly” — a perfect descriptor.) Steadfast in her belief that we as humans can constantly evolve in our work, Stark thinks it’s antiquated to fit yourself into a certain box and focus on one specific trade in order to succeed. “If you look at us as people, we’re seasoned. We change all the time. I want to experience different things.”

Since Driftwood, a two-song EP rooted in rock and country, Stark has experimented with more robust beats and 808s on DOOMED, and her most recent single “skeleton” features a softer, grungier punk sound. Without fitting into a specific genre, Stark’s music is undoubtedly and wholeheartedly her own, transcending the boundaries of what many artists struggle with when finding their sound. “I don’t think we should have to label ourselves in any way, shape, or form; so I’m not going to. I will continue to make all types of different music.” Fuck yeah.

If you look at us as people, we’re seasoned. We change all the time.

This goes beyond just music — in terms of her personal style, the same mentality applies. We discuss the idea that clothing and dressing is a sort of playground, and personal style comes from within. Stark isn’t about following trends, but rather, she thinks it’s important to tap into different stylistic elements that amplify who we are at our cores. On her DOOMED tour, Stark wore a lot of leather and stuck to a fairly dark color palette. Right now, she’s into more bourgeois satin and lace, experimenting with different textures and wearing things that feel slightly daintier and more delicate. On this current tour with the Veronicas, Stark is making it more of a point to take everything in — absorbing inspiration from every city, writing songs on the road, recording video on a friend’s super 8 camera, styling and wearing new outfits, learning and performing new covers — ultimately growing through the whole experience.

It’s endearing and inspiring how well Stark knows herself. A Los Angeles native, she proudly tells me that the tour finishes on May 5 in her hometown, a show that she’s especially excited for. While we can’t predict what thoughtfully-curated outfit she’ll wear or what songs will be performed, with new music already underway, one thing is clear: Jesse Jo Stark is just getting started.

Music

9lives' Latest Single Continues to Push Sigilkore

April 19, 2024

The versatile artist, producer, and pioneer of the sigilkore genre, 9lives, has recently unveiled his latest single "CANADA" featuring jnhygs. In less than two years since his emergence onto the music scene, 9lives has carved out an impressive niche for himself as a prominent figure within the digitally-driven sigilkore movement. "CANADA" sees him teaming up once again with experimental dance artist jnhygs, following their successful collaboration on "XTAYALIVE".

With aspirations to establish himself within the mainstream arena of experimental music production and artistry, 9lives is blending his distinct dark production style with collaborations with a diverse array of influential artists who trust him to create innovative sonic landscapes. "CANADA" marks his second release of 2024, as 9lives continues to champion the burgeoning sigilkore movement, pushing the boundaries of genre, evolving into a multifaceted artist, and solidifying his status as a rising star with an expanding audience.

Image by Connor Pritchard

Reflecting on their latest project, 9lives shares, “In early 2023 jnhygs found my music and we started chatting through TikTok, releasing our first song together called "XTAYALIVE"." He adds, We’ve been friends since this song had a viral moment, and fans have been heavily requesting for us to work together again all over our videos.” Describing their creative process, he explains, “I sent a bunch of new ideas to jnhygs via Discord and she sent back vocals to “CANADA”, which I then used to create melodic layers and extra percussion to complete the song.

Music

Eclipsed at Vampire Weekend

April 16, 2024

It had been about a week since the goosebump-inducing communal howls at the moon, as it covered the sun through a cloudy Austin, Texas sky, left me needing to take a seat—suspended in awe of the totality of the event and the synergistic break from routine. I overheard someone say, “I mean, it feels like we’re all going to die, but in a way that’s okay, you know?" under the shadow of the eclipse's peak, ceremoniously brought in as the band performed “Jonathan Low,” (in Vampire Weekend's familiar ironic hue) a track they wrote for the third movie in the Twilight series, Eclipse.

It had been five years since the band had released an album. In celebration of their latest album, "Only God Was Above Us," ticket holders wrapped the streets in blocks outside the venue for the band’s first Stateside show in about two years. Event managers searched to replenish the venue’s stock of eclipse glasses, while the band prepped a show reminiscent of 'getting the boys back together again'.

Words and photography by Rianne Akindele

In between newly released songs like “Classical” and “Capricorn”, the boys filled the almost two-hour-long show with old favorites like “Cape Cod Kwassa Kwassa”, “Diane Young” and a genre evolved rendition of “Sunflower” as the crowd danced barefoot feeling the Earth’s energy intertwined with their own and the vibrations from the amps on stage. People stole glances at the imminently darkening sky, artists doodled, friends grabbed onto each other to scream the lyrics in each other’s faces, and onlookers from the highest level of the parking garage across the street cheered on in a symphony of nostalgia and anticipation.

Adding to the layers of the celestial afternoon, the band invited to the stage the likes of Thomas Mars from Phoenix, Dave 1 from Chromeo, and guitarist Brian Robert Jones, inducing further levels of indie revival euphoria.

As the show drew to its close, and the zydeco/country-rock “Cocaine Cowboys” medley fiddled through the air, a conversation could be picked up between two sisters in search of their Lyft driver through closed-off streets,

“I wish this happened more often.”
“Eclipses or shows like this?”
“Both.”

It’s moments like these that remind us of our shared humanity and the power of collective experiences; a gathering of souls under the same sky, sharing the joy of music and a wonder of the stars above. Perhaps it’s the rarity that allowed such transcendence, reverence, and gratitude to be felt. Either way, what a beautiful moment in time it was.

Here are a few shots from the Monday afternoon: