From Minneapolis with Power
- How did you select what made it into the book?
- My process is very physical. I hand print my images in a darkroom. I start by making a contact sheet. If I like the images on the contact sheet, I often cut them out and glue them into a notebook. Then I go back and print the images I like. Sometimes im in the darkroom like 30 hours in a week.
- How many did you have to sort through?
- It’s so hard to say. Easily over 100,000 frames. I made over 1,000 prints and most of them did not make the cut.
- A book can act almost like an artifact, in that when you’re picking it up, it exists in that moment — whether that’s the day after it launches or five years from then. Did that come to mind and was there a specific thread you followed to ensure that timelessness?
- I think that’s what makes books so important. I collect a lot of books. Images now feel so disposable, and I really like physical things. I think the selection of images are feel timeless, and the layout adds a bit of character to it all.
- Not every upbringing is the same and as someone who also grew up in NYC, coming of age here is very different from any other place — at what point in your adolescence did you decide to start documenting your life and the people around you?
- I started taking pictures of my friends on disposables around the age of 12. I lost or never picked up any of the negatives and the files are long gone. That really upsets me, and I think that made me want to take a lot more pictures as I got older. Around 18 is when I really started taking pictures of my life and things around me. I wanted to be able to look back at it all one day. I also think I’ve been surrounded with such diverse people. I think everyone deserves to have their picture taken.
