Solange and Saint Heron Present: In Past Pupils and Smiles
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Synchronicity: Maisie Williams
And who better to speak on personal revelation than an actor who’s grown up in the spotlight, a crucible of self-perception? Amidst the distractions of stardom, the Game of Thrones star’s enduring self-confidence has given her something we all should be envious of: she knows who she is, the path she’s on, and how to traverse the unpredictability of life.
With a range of diverse projects under her belt since the finale of Game of Thrones and a highly-anticipated Christian Dior biopic series freshly out on Apple TV, Williams finds herself increasingly grounded by her own private revelations. She takes the time to explain herself, responding directly and without hurry to my deeply personal questions about meditation, social pressure, and self-perception with honesty and an engaged sense of humble self-assuredness.
By the end of our conversation, I felt a sense of illumination from our time together: like my own philosophies around serendipity and the flow of the universe had been truly seen in a rare moment of human connection across screens.
For this feature, I wanted to present William’s thoughts unobstructed by anything more than this introduction. A snapshot of her current state of mind and own private revelations: perception and epiphany in a beautifully clear understanding of the world.
ON FINDING JOY IN THE SMALL MOMENTS
I love the simplicity of life, really. The things that bring me the most joy are just seeing my post lady, going to my local yoga place, and seeing some of the ladies that I practice with there — just real simple things.
I recently had my pipes freeze over, and so I went to my neighbor's house to take a shower, and I felt part of the community in a way that's just very simple and beautiful. I’ve just been nurturing my circle and my world to a point where I find these little synchronicities, which is really beautiful.
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So Far So Good
- How did you select what made it into the book?
- My process is very physical. I hand print my images in a darkroom. I start by making a contact sheet. If I like the images on the contact sheet, I often cut them out and glue them into a notebook. Then I go back and print the images I like. Sometimes im in the darkroom like 30 hours in a week.
- How many did you have to sort through?
- It’s so hard to say. Easily over 100,000 frames. I made over 1,000 prints and most of them did not make the cut.
- A book can act almost like an artifact, in that when you’re picking it up, it exists in that moment — whether that’s the day after it launches or five years from then. Did that come to mind and was there a specific thread you followed to ensure that timelessness?
- I think that’s what makes books so important. I collect a lot of books. Images now feel so disposable, and I really like physical things. I think the selection of images are feel timeless, and the layout adds a bit of character to it all.
- Not every upbringing is the same and as someone who also grew up in NYC, coming of age here is very different from any other place — at what point in your adolescence did you decide to start documenting your life and the people around you?
- I started taking pictures of my friends on disposables around the age of 12. I lost or never picked up any of the negatives and the files are long gone. That really upsets me, and I think that made me want to take a lot more pictures as I got older. Around 18 is when I really started taking pictures of my life and things around me. I wanted to be able to look back at it all one day. I also think I’ve been surrounded with such diverse people. I think everyone deserves to have their picture taken.
- How do you know when you’ve found a good picture?
- There are a bunch of technical aspects that go into a good picture but I feel like for this project that stuff matters less. If it’s a good moment, and the picture makes me feel like I’m there, it’s a good picture.
- The title is self-explanatory in context but I’m curious to know what led you to pick So Far So Good as the book's title.
- Pretty early on in the process of making a layout actually. I think one of my friends said “so far so good” in conversation, and I instantly thought about the scene in La Haine where they talk about falling from a building. Then in my head I was like, holy shit thats the name right there”. It’s like, how far can you stretch a rubber band before it snaps. It felt really fitting to that point in my life and the book as a whole. A lot of good and a lot of bad around me.
- Creating anything is an act of giving. How do you hope people, and those featured in its pages, receive the book?
- I think it’s going to be cool for people who are in it because most of them don’t even know the pictures exist. I haven’t really been sending or showing anyone pictures because then they just end up on Instagram and in my head thats basically the trash can. I think some people won’t get it and others will. I don’t really mind. Everyone grew up doing different things.
It’s like, how far can you stretch a rubber band before it snaps. It felt really fitting to that point in my life and the book as a whole. A lot of good and a lot of bad around me.
I Only Came For the Parties
Between Rihanna and A$AP Rocky surprise appearance to the open bars, food trucks, and dance floors, the party was wild. As I arrived at the ranch, I was immediately met with a friend of mine running up to me saying, “Pookie and Jett are here. We NEED to party with them.” We began the hunt after stopping by the Passes.com table for some cotton candy. With a wrist full of stacked bands on one arm and a drink in my other, I hurried past Justin and Hailey Bieber before reaching the packed dance floor. It must’ve been close to sunrise when I finally came to and headed for the exit. Walking out, I ran into my friends who told me they just drove in from LA and NYC just for the party. This being my 10th Coachella, I'd probably stay home next year if it weren’t for this party.
